Marvin Gaye Window Card 1965 Eagles Ballroom Seattle

A scarce & collectible Marvin Gaye concert poster from Dec. 11, 1965 at the famous Eagles Ballroom in Seattle, WA.

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Bob Dylan Poster 1964 Folk Music Concert – San Jose, CA

A genuine, original Bob Dylan window card for his concert on November 25, 1964 in San Jose, California.

This show was one of just eight dates that Mr. Z performed up & down the California coast in the fall of ’64.

One of the most appealing things about this Bob Dylan fence poster is the green ink used throughout, with no black present… very unusual, and highly attractive.

Usually the two colors which most attract to the human eye, red and yellow, were chosen for a one-color job like this… not a more sedate color like blue or this green.

Credit the Tilghman company (in Oakland) for designing and then printing this Bob Dylan concert advertisement.

As usual, it was made of rigid cardboard so that it could be posted outdoors around neighborhoods to reach the maximum number of eyeballs.

However, unbeknownst to most collectors, this Bob Dylan street poster was first printed on a very, very thin sheet of paper, and then seamlessly glued down (or adhered somehow) to the piece of cardboard stock.

This was nothing new… it’s the technique that was used for decades with all (or most) old cardboard concert posters from the 1960s, 1950s and back.

When all the dust had settled, this Bob Dylan concert sign measured out at 14×22”, by far the most common size for posters of this ilk.

Of course, let’s not forget the glorious “jumbos” which measured 22 by 28 inches, although Tilghman wasn’t known to make many of them.

This collectible Bob Dylan ticket poster has all the traits of what’s called a “boxing style” concert poster… no fancy design elements get in the way of its message:


In Person


Folk Music Concert


Wednesday evening, November 25, 1964

8:30 PM

San Jose Civic Auditorium


Tickets: $4.50 – $4.00 – $3.50 – $2.50

On Sale At: Wendell Watkins Box Office in Sherman Clay

89 So. First St., San Jose

CY 3-6252 (old-fashioned phone number)

Tilghman Press, 1217 – 32nd ST., OAK.- OL 3-4388


Amazingly, this particular Bob Dylan show placard was actually given away at the box office to anyone buying a ticket who wanted one!

I spoke to a person once who clearly remembers buying his ticket and getting offered the poster from the employee behind the window. She drew one off the top of a small stack for him. Great Caesar’s Ghost!

That story would account for the fact that many copies of this particular Bob Dylan telephone-pole poster exist with no weather damage, rusty staple holes, tape residue, etc. They were never posted – they were just taken home by punters.

This would’ve been highly unusual for the day. That practice wouldn’t take hold until Bill Graham started doing his poster thing around the Bay Area in early 1966.

My favorite part of this Bob Dylan window display is the big message, “Folk Music Concert.” I mean… really? We assume today that everyone must’ve known that, but back in 1964, pop musicians were very much on the fringe, and Dylan was still a year away from household-name status, especially on the west coast.

It’s not like a Beatles or Stones tour poster that might say, “Rock Music Concert”… that would look really silly. Folk music was just fringe enough that the designers here are to be forgiven. Understood, even.

This Bob Dylan San Jose billboard could’ve easily said “With Joan Baez” on it, because Joan was a guest with Bob this night… and probably most nights on this little California tour jaunt.

Then again, by early the next year, artist Eric Von Schmidt would give us just such a poster, for a series of east coast dates including New Haven, CT (my blog on that poster appears elsewhere).

In a way, this Bob Dylan San Jose show poster represented a small “fourth-album tour” for Mr. D, as Another Side of Bob Dylan had just been released that summer.

But Dylan never adhered to the predictable “release a new album, go on tour” schedule that so many other musicians did. He was moving so fast at the time that booking long tours would’ve been difficult, until he hooked up with The Hawks in ’65.

There’s definitely a twinge of irony in this Bob Dylan San Jose placard stating “Folk Music Concert.” Right after the new year, he would go into the studio and begin recording Bringing It All Back Home… his first folk-rock platter.

Still, Dylan is still pretty much thought of as a folk-music kingpin of the turbulent 1960s, even when crossing over to folk-rock. As Dylan himself once said, “It’s all music… no more, no less.”

If you happen to know someone with this Bob Dylan San Jose tour poster, please let me know because I’d love to add one to my collection. (In this video, I’m taping a friend’s copy.)

I step up and pay the very best prices for items like this, having been a serious collector for over 40 years now. I bought my first Dylan LP in 1968, and have been hooked ever since!

I should identify myself: I’m Pete Howard ( or 805-540-0020) and I proudly put this Dylan San Jose poster video together.

If you’d like to see images of a few other rare Zimmerman posters, just click right over to this page here on my Web site:

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Beatles Whole Unused Concert Tickets – 1964 U.S. Tour

Today I show you three complete & unused Beatles concert tickets from their landmark 1964 American tour.

A lot of fans like to collect Beatle ticket stubs, but collecting an entire, unused Beatles concert ticket from any of their three mid-sixties tours of America is quite a challenge, because most of them were used, of course (and subsequently torn in half).

First up in this video is a Beatles concert ticket from Jacksonville, Fla. on Friday, Sept. 11, 1964.

A number of elements make this one of the better Beatle tickets out there, from any year. First and foremost, it features the famous 1963 Dezo Hoffman photo of the boys, which had adorned Capitol Records’ “I Want to Hold Your Hand” picture sleeve earlier that year.

It also has the added touch of a second ink color, red, used to great effect. And then it has a very cool little radio station logo, “The Big Ape” – with cute gorilla pictured.

It wasn’t very often that the boys’ photo appeared on their concert tickets, especially from this calendar year. The very first ducat made with their picture on there was the Beatles August 22, 1964 ticket from Vancouver, BC’s Empire Stadium. Their mugs were faded into the background, but by gosh, they’re on there.

Next in line – with their photograph – was the Beatles ticket from September 3, 1964 from Indianapolis, Indiana’s state fair. A lot of different colors were printed for this date, but they all had their picture.

And the last one? A whole unused Beatles ticket from Cleveland on September 15, 1965 shows their happy faces, laid out vertically (most unusually). And that would be it for their inaugural touring year in America.

Next up in my video is a whole, unused Beatles concert ticket from Baltimore’s Civic Center on Sept. 13, 1964.

This ticket has been bootlegged, but the original has notches in it – as you can see – and the reproduction doesn’t. Plus the boot has a black back and is laminated in plastic. If you’re a serious collector of Beatles concert tickets and stubs like I am, stay away from those.

Collectors should note how strongly this Baltimore tic resembles the unused, complete Beatles ticket from Feb. 11, 1964 in Wash. D.C. Both tickets were obviously designed by the same company – the National Ticket Co. in PA.

And the same thing holds true for the whole, unused Beatles ticket or stub from February 12, 1964 at Carnegie Hall in New York City. Unlike the Jacksonville complete Beatles ticket, not much imagination was used in designing these others.

And the third and final item I show you in today’s video is the whole, un-torn Beatles ticket from Sept. 17, 1964 in Kansas City, Missouri at Municipal Stadium. Now this ticket is loaded with personality. The best feature of all? Why, it has a photograph on the back that depicts concert promoter Charles O. Finley in a Beatles wig, being tended to by his secretary (I assume) and holding a picture of Ringo. Wow!

Also a nice touch is the glossy, green and white appearance of this ticket, which matched the colors worn by Finley’s baseball team at Muni Stadium, the A’s. And then there’s that price – $8.50 – whew! The highest regular ticket price of any concert in the Beatles’ U.S. history.

So there you have three specimens of never-used, complete Beatles concert admission tickets from their American 1964 tour. If you have any of these, or any others for that matter, please don’t hesitate to contact me – I love to talk collectible tickets. I can be emailed at or called on 805-540-0020.

And if you wanna see some other cool tix, including a purple Beatles one from ’66, just click over to this other page right here on my Web site:

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Tribute To Dr. Strange Dance-Concert Window Card 1965 Early S.F. Event

An original, seminal Tribute to Dr. Strange concert poster used to attract patrons to this October 16, 1965 event that helped shape S.F. rock history.

Nobody colored in this plain black & white original printing, so it stands just as it looked right after leaving the press, unaltered to this day.

This Family Dog Rock ’n’ Roll Dance Concert appearance poster is historic because it sold tickets to the first of three early, seminal FD dance-concert events over a four-week period in the fall of ’65.

Following Dr. Strange, there were “tributes” (in name only) to Sparkle Plenty (the following weekend) and Ming the Merciless (on Nov. 6).

Fans of the Jefferson Airplane covet this Tribute to Dr. Strange concert sign because it stands as the earliest known JA concert poster. It was the band’s first show outside of their own Matrix nightclub, and the Matrix wasn’t producing posters in those early days.

And even though future lead singer Grace Slick wouldn’t join the Airplane for a full year from now, she’s on the poster as well – as a member of The Great Society, listed down below The Marbles.

This Family Dog Rock ’n’ Roll Dance Concert poster board was constructed of rigid cardboard to withstand the Bay Area’s fall weather.

Unlike most future S.F. rock posters, this one has no printer’s credit on it anywhere, although it does carry a printing company’s union bug down in the lower-right corner.

Famous S.F. poster designer Alton Kelley drew up this Tribute to Dr. Strange cardboard poster, but for some reason, he’s not credited either.

Kelley was one of the four founding members of the original Family Dog collective in 1965, and was the one with innate artistic talent.

Another exciting aspect of this Family Dog Rock ’n’ Roll Dance Concert in-person poster is that it stands as the very first psychedelic San Francisco rock-concert poster.

The only earlier psychedelic concert poster hailed from 250 miles away, in Virginia City, Nevada, for the Charlatans’ stand there earlier in the summer.

You gotta love the amazing range of fonts that Mr. Kelley used on this Tribute to Dr. Strange billboard. In fact, “type fonts” isn’t the right term – every letter he used was designed on the spot.

And then there’s the little buzzing airplane adjacent to the Jefferson Airplane’s name – I’ve always loved that.

For such a chaotic design, it’s worth noting that this Family Dog Rock ’n’ Roll Dance Concert event poster presents info in four distinct quadrants. Upper left: the name of the show. Upper right: description of the show.

Lower left: all of the entertainment is named. And lower right: the venue, its location and the ticket prices. It all seems surprisingly well-organized.

The most difficult lettering to make out on this Tribute to Dr. Strange concert placard falls in the upper-left area: the name of the dance. How many people actually got “A Tribute To Dr. Strange” out of that craziness?

But what’s funny is that that was the information they needed the least… what they really needed was in the other three quadrants, none of which have difficult-to-discern lettering.

And notice that all the ticket-buying merchants are listed down in the lower left-hand area, in pretty small print. Typical hippie ethic: bury and hide the capitalist information!

As I inferred earlier, some copies of this Family Dog Rock ’n’ Roll Dance Concert street sign were hand-colored in by members of the Family Dog collective, such as Kelley’s girlfriend, Ellen Harmon. That tall stack of hollow circles looked especially cool when colored in with various hues.

This Tribute to Dr. Strange dance-concert advertisement is brought to you by collector Pete Howard, based in California. That is me, and feel free to reach out to me through or by calling (805)-540-0020. I don’t own this poster myself, so I will pay TOP DOLLAR IN THE HOBBY, PERIOD, for one of these, either colored or un-colored.

Thanks for stopping by, and I hope you enjoyed seeing it.

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Rolling Stones Concert Poster 1966 Buffalo, New York

A highly attractive, scarce Rolling Stones window card from June 28th, 1966 in Buffalo, New York.

This was the Stones 5th American tour of their career, having visited the U.S. twice each in 1964 and ’65. The Buffalo date was the 7th show of this tour, which would end exactly one month later in Hawaii.

The coolest feature of this Rolling Stones appearance poster is the striking photograph of the group at water’s edge – taken directly from their best-of album, High Tide and Green Grass.

Matter of fact, that very album was in the top 10 of Billboard magazine’s best-selling LPs chart the very week of this Buffalo concert. It had been out for about two months.

Guy Webster is the photographer who snapped the picture that so dominates this Rolling Stones placard. But you won’t find him credited anywhere… this was considered just a temporary, throw-away advertising sign.

One might think the photo was taken in England somewhere, but nope – Webster shot it in Los Angeles, at Franklin Canyon Park. Founding member Brian Jones dominates the foreground, and he would be dead in three years.

This picture really enhances the appearance of this Rolling Stones broadside. It’s not just a good photo, it’s from one of their album covers. And it’s not just any album cover, it’s their Greatest Hits album cover, currently riding high on the charts. What great synchronicity!

And I haven’t even mentioned their current hit single, “Paint It, Black,” which was in the Top 5 of Billboard magazine’s Hot 100 singles chart at the time. How can it get any better?

Notice how radio station WKBW grabs significant real estate on this Rolling Stones window display. You’ve got their call letters in huge letters at the top, and then they’re plugged again along with the opening groups.

Those support bands were The McCoys, best known for “Hang On Sloopy” (a big hit the previous year), and The Standells, who were presently riding high with their biggest hit, “Dirty Water.”

And it wouldn’t be a Rolling Stones ticket poster without the admission prices being mentioned… in this case, the even amounts of $5.00, $4.00 and $3.00.

That wasn’t cheap for 1966… surely it had to have been one of the very first rock ’n’ roll shows to top out at 5 bucks. Perhaps only the Beatles had gone that high previously, but I haven’t researched it.

And right below the Standells on this Rolling Stones event poster are the “WKBW VIPS.” This was commonplace in the innocent sixties – for the local radio station to get a word in for their DJs, often called VIPs or “good guys.” Sometimes their picture even appeared.

And above everyone’s name you have “Plus All Star Show,” and below them you have that graphic design element of five actual stars. That was an important marketing element in the sixties… give them stars and more stars!

I neglected to mention earlier the type font that’s used for the headliner’s name on this Rolling Stones show placard. It’s cribbed directly from the cover of High Tide and Green Grass, beautifully supplementing the album-cover photograph.

This approach to posters is so much more fun and refreshing than the corporate world it’s evolved into. Can you imagine how involved the Stones’ lawyers would get if designers tried to borrow trademarked elements of the band’s logo, etc.?

And then you have the big red rectangle near the bottom of this Rolling Stones street poster. For starters, it doesn’t say “1966”… why should it? Everyone knew what year they were in, and the poster was created to live for just a few weeks.

And then the show’s venue is given, the Buffalo Memorial Auditorium. This big indoor sports arena was built in 1940 and lasted for almost 70 years, before the wrecking ball swung in 2008-2009.

And below the red box are all the locations at which you could buy the tix, including the Auditorium box office itself. This Rolling Stones concert announcement was trimmed once upon a time, probably to fit into a frame. Brundo’s Music Store was in Niagara Falls, and Norton Hall was on the campus of the University of Buffalo.

It’s a shame that such a nice design as this wasn’t turned into a “tour blank” that could’ve been used for more dates on the ’66 tour… but alas, it was created just for this one promoter, just for this one show. But I think it’s the best-looking one I’ve seen from their ’66 trek.

Finally, it’s absolutely terrific that this Rolling Stones tour poster uses the color red so effectively. Even if it were all B&W, it would be darn nice, but the red turns it into a total, total winner.

And notice how the red is evenly distributed throughout the poster… the radio station at the top, the opening acts in the middle and the red box of information down toward the bottom. The designers knew what they were doing.

This Rolling Stones street sign is analyzed and evaluated by long-time collector Peter Howard, who is me… I’m at (805) 540-0020 or As a serious collector, I will pay TOP DOLLAR IN THE HOBBY, PERIOD for this or any vintage 1960s Stones concert posters.

To view a few other vintage Rolling Stones concert posters just like this, simply “roll” on over to this page right here on my site:

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